{"id":11415,"date":"2023-11-05T11:34:08","date_gmt":"2023-11-05T10:34:08","guid":{"rendered":"https:\/\/www.latoscane.net\/things-to-do-and-see-in-arezzo\/"},"modified":"2025-09-10T22:05:09","modified_gmt":"2025-09-10T20:05:09","slug":"things-to-do-and-see-in-arezzo","status":"publish","type":"post","link":"https:\/\/www.latoscane.net\/en\/things-to-do-and-see-in-arezzo\/","title":{"rendered":"Things to do and see in Arezzo"},"content":{"rendered":"\n

Here are some ideas, sorted by relative preference, for a visit of Arezzo<\/strong>, which can be seen over a whole day, or better yet over a weekend.
The historic centre preserves beautiful monuments, churches, palaces and museums.<\/p>\n

See also at the end of page <\/i> Touristic map of Arezzo<\/span><\/a>And read the presentation page of
<\/i> Arezzo<\/span><\/a>\n

Piazza Grande in Arezzo<\/h2>\n

The Piazza Grande<\/strong> is the most striking square in Arezzo, the heart of the city since the Middle Ages and has the particularity to be trapezoidal and sloping!
Beautiful buildings surround it: the Faggiolana Towers, the Lappoli Palace, the Cofani Brizzolari Palace and the Lappoli Tower House on one side; on the other side the splendid porticoes of the elegant Palazzo delle Loggia by Giorgio Vasari (late 16th century) and the Carrousel del Sarrasin. The Palazzo delle Logge<\/strong> was originally the customs offices, today a musical high school and the Vasariano Theatre.
On the western side is the church of Santa Maria delle Pieve, the Fraternity Palace with the astronomical clock, and the pretty public fountain.
It is a good place to relax, with some cafes and restaurants.
In the cinema, we could see this place in Life Is Beautiful<\/em> by Benigni. This is where the Monthly Antique Fair<\/a> is held, and twice a year the traditional festival of the Saracen Joust<\/a> (Giostra del Saracino<\/em> in Italian).<\/p>\n\n\n

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\"View<\/a>
Piazza Grande<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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\"View<\/a>
Santa Maria delle Pieve et Palazzo della Fraternit\u00e0<\/figcaption><\/figure>\n\n\n\n
\"Photo<\/a>
Palazzo delle Logge of Vasari<\/figcaption><\/figure>\n\n\n\n
\"Photo<\/a>
Logge di Vasari<\/figcaption><\/figure>\n<\/figure>\n\n\n

Basilica of St. Francis in Arezzo<\/h2>\n

The Basilica of St. Francis of Arezzo<\/strong> (in Italian: Basilica di San Francesco<\/em>) dates back to the 13th century, a Franciscan-inspired Gothic building famous for its frescoes by The Legend of the True Cross<\/em> by Piero della Francesca<\/strong>. The external ornaments are meager as usual in the Franciscans, apart from the arched windows and the rosette.
The cycle of frescoes commissioned by the Bacci family decorates the interior, and was started by Bicci di Lorenzo before being continued by della Francesca, with the theme of the wood on which Christ was crucified. The result is impressive for its strength and elegance of figures. This work, completed in 1466, remained unsurpassed until the achievements of Raphael and Michelangelo in the Vatican.
Its 15 scenes are inspired by the text of the Golden Legend<\/em> written by Jacques de Voragine, very famous in the Middle Ages. These memorable images evoke the death of Adam, the Dream of Constantine, etc.
The great crucifix on the altar is attributed to Duccio di Boninsegna and would be from 1289.<\/p>\n\n\n

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\"Outside<\/a>
San Francesco<\/figcaption><\/figure>\n\n\n\n
\"Photo<\/a>
Inside of San Francesco<\/figcaption><\/figure>\n<\/figure>\n\n\n

Cathedral of Arezzo<\/h2>\n

On the site of the ancient acropolis at the top of the city, the majestic Cathedral of Saints Donat and Peter of Arezzo<\/strong> is preceded by the statue of Ferdinand I of Francavilla of Giambologna.
It was built between 1278 and 1511, with Gothic stained glass windows by Guillaume de Marcillat early 16th century that represent episodes of the Gospels. This master French glassmaker also painted the vault.
The Chapel of the Virgin of Consolation welcomes a Mary, patron saint of the city, in terracotta and considered miraculous.
It preserves among other things a fresco of Mary Magdalene by Piero della Francesca from about 1460, the wooden choir designed in 1554 by Giorgio Vasari, the Holy Trinity between saints Donato and Bernardo<\/em> by Andrea della Robbia, etc.
The facade was redone in the early 20th century.<\/p>\n\n\n

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\"View<\/a>
Cathedral of Arezzo<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
Nave of the Cathedral of Arezzo<\/figcaption><\/figure>\n\n\n\n
\"Ark<\/a>
Ark of Saint Donat<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
Inside the Cathedral of Arezzo and vault<\/figcaption><\/figure>\n\n\n\n
\"Fresco<\/a>
Ciuccio Tarlati Chapel<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
Maria Maddalena de Pietro della Francesca<\/figcaption><\/figure>\n<\/figure>\n\n\n

Passeggio del Prato and the Medici Fortress<\/h2>\n

The ancient acropolis of Arezzo is now occupied by the Passeggio del Prato<\/em>, a green space for relaxation, located on the heights with beautiful views over the region.
There are also the remains of the Medi Fortress<\/strong> (in Italian: Fortezza Medicea<\/em>) built by order of Cosmes I de’ Medici by Antonio da Sangallo il Giovane between 1538 and 1560, with its pentagonal shape. The walls and crypt of a medieval church remain. Much of it was dismantled in the 19th century.<\/p>\n

Basilica of San Domenico in Arezzo<\/h2>\n

The exterior of San Domenico d’Arezzo<\/strong> is in the Romanesque-Gothic style with an unfinished fa\u00e7ade.
The church preserves in particular a large Crucifix of Cimabue (from his real name Cenni di Pepo, who was master of Giotto), more than 3 meters, which is said to have been painted around 1270.
His idealized figures mark the transition from the Byzantine tradition to living subjects, expressing emotions and humanity.
Many frescoes have largely disappeared, except for the one with the gothic altar of the Dragondelli Chapel. The funeral monument of Ranieri degli Ubertini in Gano di Fazio is the oldest example of a hanging tomb in Arezzo.<\/p>\n\n\n

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\"View<\/a><\/figure>\n\n\n\n
\"View<\/a><\/figure>\n\n\n\n
\"Fortress<\/a><\/figure>\n<\/figure>\n\n\n

Church of Santa Maria della Pieve<\/h2>\n

The remarkable church of Santa Maria della Pieve<\/strong> in Arezzo has a remarkable Romanesque apse on its Piazza Grande. Its fa\u00e7ade is located on Corso Italia.
Its origin is probably before the eleventh century. It is now a Romanesque and Gothic building with an original facade decorated with blind arcades and three levels of loggias. The thick tower has nearly a hundred mullioned windows.
The austere interior is impressive. It preserves the polyptych of the Virgin and Child with the Annunciation, the Assumption and the saints<\/em> by Pietro Lorenzetti. The baptismal basin is by Giovanni d’Agostino<\/a>.<\/p>\n\n\n

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\"Photo<\/a>
Facade of Santa Maria delle Pieve<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
Outside of the apse<\/figcaption><\/figure>\n\n\n\n
\"Interior<\/a>
Central nave<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
From the presbytery<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
polyptych<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
Crypt<\/figcaption><\/figure>\n<\/figure>\n\n\n

Santa Maria delle Grazie<\/h2>\n

Santa Maria delle Grazie<\/strong> is located just outside the walls of Arezzo. It was built on the site of an ancient temple dedicated to Apollo, near a spring that was demolished by San Bernardino in 1428.
He then built an oratory where Parri di Spinello painted the fresco with the image of the Virgin of Mercy (1431). This one is framed by the marble altar of Andrea Della Robbia with in the tympani the Saints Lorentino, Pergentino, Donato and Bernardino.
The portico painted with a starry sky was built in 1490 by Benedetto da Maiano, who took inspiration from the Hospital of the Innocents of Brunelleschi in Florence.<\/p>\n

Museum of Medieval and Modern Art<\/h2>\n

Housed in the Palazzo Bruni-Ciocchi<\/strong> (or Palazzo della Dogana), one of the most beautiful Renaissance buildings in the city built in the 15th century, the Museo d’Arte Medievale e Moderna d’Arezzo<\/strong> is very interesting.
Its rooms, arranged by chronology, house works from the 13th to 16th centuries by masters such as Lorenzetti, della Robbia, di Spinello, Vasari, ceramics and 19th century works.<\/p>\n

Casa Vasari<\/h2>\n

The house-museum of Giorgio Vasari<\/strong> is dedicated to the illustrious artist born in Arezzo in 1511, who decorated with frescoes with biblical and mythological themes, painted by himself and his students. However, he lived more in Florence and Rome.
She keeps paintings of himself and other Tuscan artists, mainly mannerist.
It is an interesting and rare example of a Renaissance artist\u2019s house, with a garden and the apartment with frescoed rooms.<\/p>\n

Diocesan Museum of Arezzo<\/h2>\n

In the Palazzo del Museo Diocesano<\/strong> in Piazza Duomo are preserved works of art, including three remarkable wooden crucifixes, works by the Tuscan painter Bartolomeo della Gatta and works by Giorgio Vasari.<\/p>\n

National Archaeological Museum Mecenate<\/h2>\n

The National Archaeological Museum Gaio Cilnio Mecenate<\/strong> is housed in the former monastery of San Bernardo, itself built on the remains of the Roman amphitheatre from the middle of the 2nd century AD. Its vaults can be seen on the ground floor. Gaius Maecenas was a character of the time of Augustus, native of Arezzo and well-known protector of artists.
The collection extends from prehistoric times to the Roman period, including the important Etruscan period, especially the famous ceramics of Arezzo.<\/p>\n\n\n

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\"Image<\/a>
Cenotaph of Guido Tarlati (Santa Maria delle Pieve)<\/figcaption><\/figure>\n\n\n\n
\"Photo<\/a>
Museum of medieval and modern art<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
Bell-tower of Santa Maria delle Pieve<\/figcaption><\/figure>\n\n\n\n
\"Image<\/a>
Saint-Donat Reliquary (Santa Maria delle Pieve)<\/figcaption><\/figure>\n<\/figure>\n\n\n

Other churches<\/h2>\n

Badia delle Sante Flora e Lucilla<\/h3>\n

The Badia delle Sante Flora e Lucilla<\/strong> was the main Benedictine monastery of Arezzo, built from the 13th to 16th centuries, with a Renaissance cloister.
The first church of the early 13th century was enlarged and its style marked the transition from Romanesque to Gothic. It was modified in particular in the 16th century on a project by Giorgio Vasari, which also preserves works of the latter.
Among the fine works that embellish it is a Renaissance masterpiece with the Saint Lawrence <\/em>(San Lorenzo<\/em> in Italian) painted by Bartolomeo della Gatta in 1476. In the 16th century, Vasari and his students are the authors of the high altar with his paintings. Above the transept is the famous false dome by Andrea Pozzo from 1702. The Great Crucifix by Segna di Bonaventura dates to 1319.<\/p>\n\n\n

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\"Photo<\/a>
Cupola of Andrea Pozzo<\/figcaption><\/figure>\n\n\n\n
\"View<\/a>
Assumption and the Ascension of the Virgin, Giorgio Vasari<\/figcaption><\/figure>\n\n\n\n
\"Image<\/a>
San Lorenzo della Gatta<\/figcaption><\/figure>\n\n\n\n
\"Photo<\/a>
Vocation of saints Georges, etc by Vasari<\/figcaption><\/figure>\n<\/figure>\n\n\n

Santissima Annunziata of Arezzo<\/h3>\n

The Church of the Santissima Annunziata in Arezzo<\/strong> is an important Renaissance church, dating back to the birth of the Santa Annunziata Company created by a group of nobles from the city in the early fourteenth century who built it as an oratory. The latter was later incorporated into the fa\u00e7ade. At the end of the 15th century, Bartolomeo della Gatta was the author of the new church.
On the right side of the church is a masterpiece from the 14th century in the large tabernacle, the Annunciation<\/em> dated about 1370, with inside a youth work by Giorgio Vasari, the Deposition of Christ<\/em> from the 16th century, on the altar a painting by Pietro Castellucci in 1676 depicting seven saints, with a bust of the Madonna with Child<\/em> from the early 16th century. There is also a magnificent wooden crucifix from the 14th century, the 16th-century polychrome marble high altar that hosts the miraculous Our Lady of Tears<\/em> (15th century).<\/p>\n

Palace<\/h2>\n

Praetorian Palace of Arezzo<\/h3>\n

Since 1290, the Palazzo Albergotti<\/strong> has been the seat of the captain of justice and for centuries it has hosted several magistracies.
Built between the 14th and 15th centuries, the Palazzo Pretorio<\/strong> is characterised by its fa\u00e7ade covered with the coat of arms of the Podest\u00e0<\/em>, captains and commissioners who governed the city. Today it houses the Arezzo public library.<\/p>\n

Palazzo dei Priori of Arezzo<\/h3>\n

The Palazzo dei Priori of Arezzo<\/strong> still used today as the seat of the Commune dates back to the first half of the 14th century and has been, since the Middle Ages, the place intended to accommodate the highest magistracy in the city. Inside, you can see many works of art, including frescoes, statues and architectural elements.<\/p>\n\n\n

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\"Picture<\/a>
Palazzo dei Priori<\/figcaption><\/figure>\n\n\n\n
\"Picture<\/a>
Praetorian Palace<\/figcaption><\/figure>\n\n\n\n
\"Foto<\/a>
Palazzo dei Priori<\/figcaption><\/figure>\n\n\n\n
\"Photo<\/a>
Praetorian Palace<\/figcaption><\/figure>\n<\/figure>\n\n\n

Petrarch Academy<\/h2>\n

Francesco Petrarca<\/strong> was a great scholar of the fourteenth century, born in Arezzo, poet and one of the fathers of humanism. The Petrarch Academy has its library and unique objects related to the poet, in a palace built opposite his birthplace in the 16th century.<\/p>\n

Touristic map of Arezzo<\/h2>\n
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Links and sources<\/h2>\n